Foundation
People Need Culture – Culture Needs Spaces
Photo: Kraftwerk Berlin fotografiert von Ralph Larmann.
Guiding Priciples – We are committed to the peaceful coexistence of people through our work.
Our values are based on mutual respect, tolerance and the dignity and uniqueness of each individual. We put this into practice in the foundation, the associated companies and in all projects and collaborations that we realize with third parties and partners. The internationality and diversity of our employees and artists are the basis for our success and the potential of our development and future.
Fairness and mutual respect are indispensable elements of our collaboration. Sustainability and ecological awareness characterize our aspiration to live up to our responsibility as a modern, future-oriented company.
Bar Camp at Kraftwerk Berlin, Photo: Noura Nabi
Vision - Culture generates quality of life and meaning, it connects and creates community.
Culture generates quality of life and meaning, it connects and creates community. Culture can give people stability, prospects and hope. Culture is a foundation for peace, tolerance, diversity and cohesion in our society.
Our vision is based on the belief in the innovative power of cultural creation and the ability of art to positively change society and the world. Art and culture are able to promote integration, tolerance and communication, to fill people with positive values and content and to enable them to shape their lives in a self-determined and happy way, beyond all economic and social constraints.
It is therefore our goal, our aspiration and our motivation to encourage people and enable them to recognize and use the potential of art and culture to improve their own situation and the community in which they live.
Mission – Our work focuses on subcultures, artistic niches and cultural freedom.
It is the younger generations in particular who, in their need, their urge and their right to realize themselves – by questioning the old and creating the new – bring forth innovation and thus make a valuable contribution to enriching and developing our society.
However, this can only succeed if art and culture have suitable, affordable and viable spaces.
We are therefore committed to preserving and developing endangered or as yet undiscovered cultural spaces, making them available to local people and facilitating and successfully shaping (sub)cultural work by imparting knowledge and experience. In this way, we make a contribution to regional structural support and, through our work, provide young creatives with spaces, opportunities and chances to realize their own ideas, visions and artistic projects.
Manifest – Youth Needs Space!
In the beginning, every new movement needs a free, protected space in which new ideas, new sounds and a new way of working together can be tried out and developed without pressure and influence from outside. A laboratory for experiments whose effects on music and culture have lost none of their intensity and inspiration even decades after the creative explosion of the early days. The whole of Berlin was such a free space after the fall of the Wall. People with the potential and the urge to create something new, something unique, gathered here. And they found their very own free spaces everywhere in empty buildings and halls to try out and develop. The politically unique situation that prevailed in Berlin after the fall of the Wall was a historical stroke of luck, which of course cannot be repeated, but from which we can learn. Where free spaces, low economic pressure and great tolerance and goodwill from the authorities come together, innovative ideas emerge and tomorrow is shaped. What was once a laboratory and a niche has the power to change the world. A ruin can be a niche, a niche can be a playground and the starting point for something completely new. That is the lesson from the cultural awakening in Berlin at the beginning of the 1990s: give young people places again that don’t yet know what will happen to them! Preserve the niches where they can experiment and try out new things
Dimitri Hegemann, photo: Marie Staggat
Founder
Dimitri Hegemann, cultural creator and spatial researcher, likes to deal with things that are different. He sets all sorts of things in motion: unusual forms of expression of all kinds, spaces for alternative culture, tones, images, sounds, ideas, people. Stages of his work include the non-conformist Atonal Festival, the development of the Berlin Tresor Club – since its inception a place for bringing together young people from East and West Berlin and the whole world -, the import of techno from Detroit in the early years after the fall of the Berlin Wall and the development of Kraftwerk Berlin as an internationally important venue since the turn of the millennium.
In recent years, Hegemann has devoted himself to forgotten industrial spaces and alternative urban development: the transformation of ruins and vacancies into functioning cultural spaces is his strategy for a new, modern and prosperous creative economy in order to create sustainable prospects for lively and independent cultural projects. He sees night culture as a decisive inspiration and development factor for the emergence of ideas and concepts for micro-businesses and thus for securing the location of small and medium-sized communities and cities with the aim of strengthening the quality and meaning of life locally.
In fact, his contribution to the successful path from subculture to creative industries is of pioneering importance: in 2012, together with Annette Ochs, he founded the Happy Locals agency, which develops strategies for small and large German and international communities affected by emigration. By offering new perspectives for young people, Happy Locals supports the creation, strengthening and establishment of sustainable and long-term communities and projects.
In 2021, Hegemann founded the Tresor Foundation Berlin. Her intention is to remove cultural spaces from speculative markets and thus create long-term planning security and prospects for cultural workers. Hegemann is also the founder of the Clubs for Germany initiative, whose idea of bringing clubbing and nightlife culture to medium-sized German cities triggered many requests at the German Cities Day 2021. His latest project is the founding of the Academy of Subcultural Understanding, an educational institution in club management for young cultural professionals with the aim of developing subcultural entrepreneurship as a concept for the future and training creative and critical leaders by imparting industry-specific specialist knowledge.
Organs
Excecutive Board
manages the Foundation’s business.
Dimitri Hegemann
Founder & Chairman
Founder and Chairman of the Tresor Foundation.
Laurens von Oswald
Vice Chairman
Laurens von Oswald, (1988), studied Journalism and Contemporary History at Queen Mary and City University London. He is the Managing Artistic Director of the Berlin Atonal festival since 2013. He has served as Creative Director of the Tresor club and record label and is the co-founder of the OHM Audiogallery. Von Oswald is also managing director of Outer, a creative agency and booking and management company for avant-garde music and art. Since 2021, he serves as Vice Chairman of the Tresor Foundation.
The Board of Trustees
monitors and advises the executive board.
Barbara Meyer
Chairwoman of the Board of Trustees
Barbara Meyer is Managing Director of S27 – Art and Education. Born in Switzerland, she studied art and cultural education in Munich and Berlin. She taught project management at the bbw Bildungswerk der Wirtschaft and worked as a lecturer at the UdK Institute for Art in Context. For the Council for the Arts, she managed the Berlin campaign OFFENSIVE CULTURAL EDUCATION and the Cultural Education Project Fund on behalf of the Berlin Senate Department for Culture. Together with urban developers, she is committed to new funding structures in fields of action of „urban practice“.
Tjabo Reuter
Member of the Board of Trustees
Tjabo Reuter has made a significant contribution to the positive development of Kraftwerk Berlin since 2013. He is the administrative manager of the Kraftwerk and ensures that both cultural and commercial event organisers find ideal working conditions.
After completing his studies, the sports science graduate quickly found his way into the event industry. Initially on the agency side, then since 2009 on the venue operator side. He found his project with Kraftwerk Berlin, its possibilities and its constant development. He also supported Dimitri Hegemann in setting up the Tresor Foundation from the very beginning.
The Foundation Advisory Board
advises and supports the Executive Board and Board of Trustees in the performance of their duties.
Nicole Srock.Stanley
Chairwoman of the Foundation Advisory Board
Nicole Srock.Stanley founded the dan pearlman Group, a group of owner-managed, strategic creative agencies based in Berlin, in 1999. Since then, the interior designer, who studied design, art and interior architecture in Hanover and London, has headed the group as CEO and is responsible for brand and corporate strategies, transformation and innovation.
As an expert in retail and the leisure industry as well as urban and destination development, Srock.Stanley advises start-ups, medium-sized companies and corporations. She worked for two years as creative director for the international positioning of the concept shopping mall BIKINI BERLIN and played a key role in the development of the multi-award-winning bonprix fashion connect store, a future retail store of the Otto Group. Since 2021, she has been a member of the Supervisory Board of Mister Spex GmbH, Europe’s leading omnichannel optician.
As a keynote speaker, Nicole Srock.Stanley is one of the “50 most influential women in retail” (Shop Shift Las Vegas). She is also actively involved in climate and species protection and is a member of the ESG Committee of the German Council of Shopping Places.
Dr. Thomas Oberender
Foundation Advisory Board
Thomas Oberender is an author, curator and festival organiser. He has worked as co-director of the Schauspielhaus Bochum and Zurich and as theatre director of the Salzburg Festival. He was artistic director of the Berliner Festspiele / Gropius Bau and founded the multi-year formats „Immersion“ and „The New Infinity“ in 2016. He works closely with artists such as Susanne Kennedy, Markus Selg, Vegard Vinge and Ida Müller, Ed Atkins, Philippe Parreno and Tino Sehgal. His publications include theatre plays, reviews and essays on artists and political and aesthetic transformation processes.
Photo: Joerg Carstensen
Nicole Erfurth
Foundation Advisory Board
Nicole Erfurth is a culture and nonprofit manager. Good deeds become her mission. She is passionate about helping people in the field of culture, music and nonprofit achievments. Since 2010 she has been working in parallel in various structures, topics and projects, always with the goal of creating an overview for all involved. Her fields of work range from organizational development, fund acquisition, accounting and consulting.
Through Berlin Worx e.V. (former Detroit Berlin Connection) she supports urban development topics to preserve culture, together with Dimitri Hegemann (chairman). She is also lobbying as part of the extended board at the Clubcommission Berlin e.V. with the focus on festivals and education. Additonally she is part of the advisory board of the Bundesstiftung LiveKultur while working at Initiative Musik gGmbH on the funding side. Based on her network she loves to create spaces to talk about important and urgent topics at events or conferences.
Denice Ramsey
Foundation Advisory Board
Philosophie und Hintergrund
Nur eine Gesellschaft, die sich ständig entwickelt und erneuert, nur eine Gesellschaft, die offen und frei ist, ist fähig, das Bedürfnis und das Streben der Menschen nach Sinn und Glücklichsein sowie Wohlstand und Sicherheit in eine lebenswerte Zukunft zu transportieren.
Neben dem wissenschaftlichen und technologischen Fortschritt bekommen Kunst und Kultur dabei eine Schlüsselstellung. Sie dienen keinem Zweck und können deshalb Werte und Inhalte schaffen, die die Gesellschaft bereichern und voranbringen jenseits von Absichten, Kalkül und Interessen.
Kunst und Kultur besitzen die Kraft und die Fähigkeit zur positiven Veränderung unserer Welt.
Kunst und Kultur haben eine immense Bedeutung für den einzelnen Menschen wie auch für die Entwicklung und den Zusammenhalt unserer Gesellschaft. Sie bringen Menschen zusammen, sie schaffen einen Konsens an Werten und Einstellungen, der Gemeinsinn, Zugehörigkeitsgefühl und Identität fördert. Sie schaffen Innovationen an Lebens- und Sichtweisen und Reflexionen unserer Welt und Lebensrealität, die unsere Gesellschaft braucht, um nicht stehenzubleiben und zu erstarren.
Ein Leben ohne Kunst und Kultur wäre sinnlos und leer und für den einzelnen Menschen kaum mehr lebenswert, da es an Lebenssinn und Lebensqualität mangeln würde. Deshalb brauchen Menschen Kunst und Kultur.
Dabei sind die Subkultur, die künstlerischen Nischen und Freiräume und die kulturellen Kräfte der Jugend und der jungen Generationen jenseits des Mainstreams und des Etablierten von großer Bedeutung, da sie echten Wandel und wahrhaftige Innovationen hervorbringen, die das Potential besitzen, neue Inhalte und Impulse zu schaffen, die die Gesellschft bereichern und voranbringen. Besonders die Subkultur, die noch unentdeckten, unfertigen, unangepassten, jungen Kreativen und KünstlerInnen und Kulturschaffenden sind in ihrer Vielfältigkeit und Kreativität ein unverzichtbares Resorvoir, aus dem die Gesellschaft schöpfen kann.
Die Erfahrungen um den November 1989 und die Zeit danach haben uns wesentlich geprägt. Damals fiel die Berliner Mauer und junge Menschen aus beiden Teilen der Stadt kamen friedlich zusammen und nahmen die Wiedervereinigung des geeinten Deutschlands vorweg, indem sie die neue grenzenlose Freiheit gemeinsam feierten. In dieser Zeit entstand mit der Techno Musik ein neuer Sound, der die Jugend begeisterte und sie zusammenführte.
Eine neue grenzen- und systemüberschreitende Jugendbewegung und Subkultur entwickelten sich, die neue Ästhetiken und Ausdrucksformen hervorbrachten und die Gesellschaft und die Kultur nachhaltig beeinflussten. Es herrschte eine Aufbruchstimmung, in der das kreative Potential einer Generation explodierte und eine blühende, prosperierende Subkultur hervorbrachte, welche Berlin veränderte und bis heute prägt. Wesentliche Voraussetzung dafür war die seit 1949 abgeschaffte Sperrstunde in Berlin. Einen weiteren unschätzbaren Beitrag für diese bis dahin unbekannte Nachtkultur lieferte der neue Technosound aus Detroit.
In dieser Zeit entwickelten sich in Berlin und anderen Städten rund um den Globus mit einer bis dahin unbekannten Clubkultur neue Treffpunkte, Kulturräume und Erlebnis- und Kommunikationsorte für die Jugend. Seit diesen Tagen ist die Clubkultur in Berlin in berühmt geworden mit einer enormen Attraktivität für junge Menschen aus allen Teilen der Welt und hat sich zu einem wichtigen Wirtschafts- und Kulturfaktor für die Stadt entwickelt. Wir haben von Anfang an mit der Gründung des ersten Technoclubs in Berlin, dem Tresor Club, diese Entwicklung begleitet und wesentlich geprägt.
Die Erfahrungen aus dieser Zeit haben uns gezeigt, welche Kraft Musik, Kunst und Kultur entfalten können und welches Potential zur positiven Veränderung und Gestaltung der Welt die Jugend hat.
Die jungen Menschen besitzen ein unerschöpfliches Potential für Innovation und Erneuerung, für neue Ideen und kreatives Schaffen.
Es sind diese Menschen, die unsere Gesellschaft braucht. Sie sind der Garant für Entwicklung, Wandel und Erneuerung in unserer Gesellschaft. Sie brauchen nur Möglichkeiten, sich zu entfalten und sich zu verwirklichen. Eine Grundvoraussetzung dafür ist, ihnen die geeigneten Räume zur Verfügung zu stellen, um dieses Potential zu entwickeln und diese Kraft zu nutzen.
Gerade aber in diesem Bereich wird kulturelle Arbeit und künstlerischen Schaffen immer schwieriger, weil die geeigneten, nutzbaren und kostengünstigen Räume und Orte fehlen. Kulturräume sind in unserer Gesellschaft bedroht und werden immer weniger. Langeweile und Perspektivlosigkeit der jungen Generationen sind das traurige Resultat aus dieser Entwicklung.
Wir wollen mit der Arbeit der Stiftung dazu breitragen, diese kulturellen Räume in unserem Land zu bewahren und zu erhalten und neue Kulturorte zu schaffen, in denen sich Subkultur ansiedeln und entwickeln kann. Wir wollen die Subkultur stärken und fördern, indem wir den jungen Menschen Raum, Möglichkeiten und Know How geben, um ihre Kreativität zu entfalten und zu verwirklichen und ihre Kunst zu veröffentlichen und erlebbar zu machen. Wir wollen Begegnungen und Kommunikation ermöglichen, Austausch und Inspiration.
Diese Aufgabe ist umso wichtiger und dringender, weil Raum in den Städten und Gemeinden immer knapper und vor allem immer teurer wird und somit für künstlerische und kulturelle Projekte, besonders für die Subkultur, für junge und finanziell weniger gut ausgestattete Menschen, unerschwinglich wird.
Deshalb setzen wir uns dafür ein, bedrohte Kulturorte zu erhalten und zu unterstützen und noch unentdeckte Räume zu erschliessen und nutzbar zu machen und damit besonders die Jugend, die Subkultur und die künstlerischen Nischen und die noch von ökonomischen Zwängen unberührten Freiräume zu fördern und zu unterstützen.
Dies sind unser Auftrag und unsere Aufgabe. Dies ist unsere Philosophie, mit der wir einen Beitrag leisten wollen, unsere Gesellschaft lebenswert und zukunftsfähig zu gestalten.